The flowers in Smulders’ work have another meaning. She makes her photos and series from a strong feminist perspective. From the Family / Maternité series from the period 1987-1995 to the photo series Uit de cocoon (1999) made in India for ICCO and WORK (1998) commissioned by Randstad, reflection on the position of women is central. This perspective is also present in her recent work. Initially, Smulders depicted abstracted feminine forms in her photographic flower still lifes with the flowers themselves. Over the years, this reference has become less direct and femininity lies mainly in the beauty, sensuality and fragility of the flower.
