Filmmaker Nanouk Leopold and visual artist Daan Emmen develop video installations together in which they experiment with film as a spatial experience. Curated by Glenn Kessler.
In this exhibition, Hans van Bentem treats us to a series of very recent ceramic works, complemented by older pieces that partly explain the origins of these series. Van Bentem is interested in traditional, highly skilled craft and prestigious materials. This exhibition will include Dutch ceramics, Czech blown glass, and Senegalese wood. The works are rooted in the artist’s obsessions, dreams, and childhood memories. The sculptures are presented almost like protective or magical objects. They are meant to symbolically repel the anxieties or “demons” of contemporary life. Despite their connection to fears and darker forces, the works ultimately look toward better times and renewal. Overall, the exhibition frames Van Bentem’s sculptures as a meeting point between craft, personal mythology, memory, and contemporary anxieties.